Fabric of life
I believe that the intuition of the body and the fragments of ordinary life can weave together another kinds of imagination rooted in care. Beyond academia, I continuously explore the body through contact improvisation and embodied media, and experiencing alternative ways of living. I view these practices as forms of self-reflexivity and expression. To see and feel the real person behind those abstract concepts.
Body as Practice
Body for me is a way of expression. Some visual arts were co-created with photographers and directors; others came from informal field experiments. Across them, I am interested in how movement, stillness, exposure, and landscape can hold feelings that are difficult to explain in words.
Body as Gathering
Body can also become a reason to gather. These moments are less about performance and more about creating a shared space where people can move, improvise, connect with each other, and experiment with trust, boundaries, and presence.
Empathy Simulation
This is a kind of workshop, an ongoing experiment in making inclusion-related issues easier to approach. It creates an invitation for participants to encounter unfamiliar experiences with curiosity and opens space where different ways of sensing, deciding, and navigating the world can be felt and discussed.
These experiments began from my earlier work on gender-based violence prevention. I hope to expand this format toward disability and other topics shaped by stereotypes and assumptions.
Alternative Way of Living
This section gathers my curiosity about how life is actually built: how people define safety and home, share resources and negotiate intimacy. These questions have led me to visit and document communities experimenting with other ways of living, from co-living spaces and rural self-sufficient projects to temporary worlds such as Burning Man and tech-optimist kingdoms. These fragments are part of how I explore what kind of life I want, and what forms of freedom and belonging are possible outside of default life.